Scottie Pippen, Horace Grant, and Luc Longley will pull the curtain back on the 1990s NBA dynasty known as the Chicago Bulls. While there are plenty of stories about the Bulls from this time, many of them involve the “Greatest of All Time” (GOAT), Michael Jordan.
This time around, the trio hopes to share their version of events and give fans an inside look at life behind the scenes during their successful run. The tour, aptly named “No Bull,” will take place in Australia, starting on February 23 in Tasmania, before making stops in Melbourne and Sydney.
According to Grant, the Bulls’ power forward on their first “three-peat” from 1991 to 1993, the tour will offer no bull***t.
“It's gonna be a no bulls--t tour,” Grant said in a post on X by the tour’s partner, Australia’s National Basketball League.
“I’ll tell you this – the X factor in the first three and the second three, I would have kicked Dennis Rodman’s ass. Come out, get the tickets, and you’ll hear a lot.”
''This is going to be a no bull***t tour''
— NBL (@NBL) February 21, 2024
You won't want to miss this... 13 rings, 1 stage and absolutely NO BULL
It all starts this weekend, get your tickets now - https://t.co/bZYgB6rFTw ✨ pic.twitter.com/1g2CSazaRU
While the Bulls dominated the NBA in the 90s, winning six championships, everything was not what it seemed behind the scenes. Pippen, Jordan’s most famous running mate on those title runs, has been vocal about his disdain for how his former teammate and friend depicted him in the popular docu-series “The Last Dance.”
Scottie Pippen, Horace Grant, and Luc Longley are embarking on a "NO BULL TOUR" to share their perspectives on THE LAST DANCE story and their experiences playing for the Bulls in the 90s.
— NBACentral (@TheDunkCentral) February 21, 2024
(Via @NBL / h/t @Ballislife ) pic.twitter.com/MJWSpuL2lK
He said as much in his autobiography “Unguarded,” writing: “They glorified Michael Jordan while not giving nearly enough praise to me and my proud teammates. Michael deserved a large portion of the blame. The producers had granted him editorial control of the final product. The doc couldn’t have been released otherwise. He was the leading man and the director.”
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